Week 1:1 (Aug. 24–28)

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Welcome to a new school year! Please click the schedule for a larger zoom-able image of the board. Below, you’ll find downloadable versions of this week’s in-class handouts along with a few other helpful documents.

Pre-IB English 2: Syllabus

AP Literature: SyllabusJane Eyre E-text

AP Research: Syllabus, Summer Assignment (PREP Tasks #1–2)EBSCO HostGale Databases (password is pinellas), JSTORGoogle ScholarPurdue OWLAnnotated Bibliography Template, CRAAP TestCourse Credit PoliciesHigh-Scoring Student Papers: Mixed #1Qual #1Qual #2Qual #3Qual #4Qual #5Quant #1Quant #2Quant #3

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What’s a Bildungsroman?

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The bildungsroman (bill-DUNGZ-ro-men, German for “formation novel”) is a genre of the novel which focuses on the psychological and moral growth of the protagonist from youth to adulthood.  The driving force behind the plot (and the major impact of the work) is the main character’s search for self, so change is thus extremely important.

The birth of the bildungsroman is normally dated to the publication of Goethe’s The Apprenticeship of Wilhelm Meister in 1796.  Although the bildungsroman originated in Germany, it has had extensive influence first in Europe and later throughout the world.  Thomas Carlyle translated Goethe’s novel into English, and after its publication in 1824, many British authors wrote novels inspired by it (e.g. Dickens’ Great Expectations).

A bildungsroman tells about the growing up or coming of age of a sensitive person who is looking for answers and experience.  The genre evolved from folklore tales of an idiot or youngest son going out in the world to seek his fortune.  Usually in the beginning of the story there is an emotional loss which makes the protagonist leave on his or her journey.  In a bildungsroman, the goal is maturity, and the protagonist achieves it gradually and with difficulty.  The genre often features an underlying conflict between the main character and society.  Typically, the values of society are gradually accepted by the protagonist, and he or she is ultimately accepted into society – the protagonist’s mistakes and disappointments are over.  In some works, the protagonist is able to reach out and help others after having achieved maturity.

Incoming AP Lit students, take note of how both Siddhartha and Jane Eyre, each after their own unique fashion, follow this structure.

Week 4:9 (May 18–22)

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Pre-IB English 2: Folger Audioplay of Macbeth, Interactive E-text of Macbeth, The Globe’s Macbeth (2020), Stratford Festival’s Macbeth (2016), Royal Shakespeare Company’s Macbeth (1979)

AP Research: Syllabus, Exemplar APsPurdue OWLSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, Digital PortfolioUser Guide for the Digital PortfolioCB’s Online Lessons (YouTube)

AP Literature: AP Classroom, AP Lit Textbook (e-text), Prose Prompts with Example Theses (’09–19), CB’s Online Lessons (YouTube)

Week 4:8 (May 11–15)

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Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA TemplateFolger Audioplay of Macbeth, Interactive E-text of Macbeth, Shared Theme Log, Act V Padlet, The Globe’s Macbeth (2020), Stratford Festival’s Macbeth (2016)

AP Literature: AP Classroom, MLA Template, AP Lit Textbook (e-text), Prose Prompts with Example Theses (’09–19), CB’s Online Lessons (YouTube)

AP Research: Syllabus/Timeline, Exemplar APsPurdue OWL, Oral Defense QuestionsSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, Digital PortfolioUser Guide for the Digital PortfolioCB’s Online Lessons (YouTube)

Week 4:7 (May 4–8)

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AP Research: Syllabus/Timeline, Exemplar APsPurdue OWL, Oral Defense QuestionsSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, Digital PortfolioUser Guide for the Digital PortfolioCB’s Online Lessons (YouTube)

Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA Template, Turnitin.com (access with your ManageBac email), Folger Audioplay of Macbeth, Interactive E-text of Macbeth, Theme Tracing Task, Shared Theme Log

AP Literature: AP Classroom, MLA Template, AP Lit Textbook (e-text), Open Essay Rubric, Prose Essay (excerpt from Lady Windermere’s Fan), Exemplar Theses (’09–19), Brainstorming Theses, CB’s Online Lessons (YouTube)

Week 4:6 (Apr. 24–May 1)

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AP Research: Syllabus/Timeline, Exemplar APsPurdue OWL, Oral Defense QuestionsSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, CB’s Online Lessons (YouTube)

Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA Template, Turnitin.com (access with your ManageBac email), Folger Audioplay of Macbeth, Interactive E-text of Macbeth

AP Literature: AP Classroom, MLA Template, AP Lit Textbook (e-text), Open Essay Rubric, Prose Essay (excerpt from Lady Windermere’s Fan), Quality Prose Theses (’09–19), CB’s Online Lessons (YouTube)

Week 4:5 (Apr. 20–24)

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AP Research: Syllabus/TimelinePurdue OWL, Oral Defense QuestionsSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, CB’s Online Lessons (YouTube), Exemplar APs

Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA Template, Turnitin.com (access with your ManageBac email) / Macbeth: Folger Audioplay, Interactive E-textAct II Study Guide, Shared Theme Log

AP Literature: 4th Quarter Poetry Packet, AP Classroom, MLA TemplateMajor Works Data Sheet, AP Lit Textbook (e-text), Open Essay RubricCB’s Online Lessons (YouTube)

Week 4:4 (Apr. 13–17)

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AP Research: Syllabus/TimelinePurdue OWL, Oral Defense QuestionsSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, CB’s Online Lessons (YouTube)

Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA Template, Turnitin.com (access with your ManageBac email) / Macbeth: audioplay (scene-by-scene), interactive e-text of the playanother audioplay (act-by-act), plain e-text of the play, theme loglecture notes, “Reading Shakespeare” packet, study/reflection questions for upcoming discussion of Acts I–IIshared Google Doc (for A1-2 on Wednesday)

AP Literature: 4th Quarter Poetry Packet, AP Classroom, MLA TemplateMajor Works Data SheetAtonement (novel e-text), AP Lit Textbook (e-text), CB’s Online Lessons (YouTube)

Week 4:3 (Apr. 6–9)

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AP Research: Syllabus/TimelinePurdue OWL, Oral Defense QuestionsSections of the APAP RubricPOD Rubric, EBSCO HostGale DatabasesJSTORGoogle Scholar, Research Flipgrid (sign up with your r2.d2@pcsb.org), CB’s Online Lessons (YouTube)

Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA Template, Turnitin.com (access with your ManageBac email), Vocab.com Signup (A1-2, B1-2, C1-2), Freshmen Flipgrid Signup (use your r2.d2@pcsb.org), Quizizz Links (A1-2, B1-2, C1-2)

AP Literature: 4th Quarter Poetry Packet, AP Classroom, MLA TemplateMajor Works Data SheetAtonement (Novel E-text), AP Lit Textbook (E-text), AP Lit Vocab.com Signup, AP Lit Flipgrid (sign up with your r2.d2@pcsb.org), Quizizz Links (A3-4, B6-7), CB’s Online Lessons

Week 4:2 (Mar. 30–Apr. 3)

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AP Research: Syllabus/TimelinePurdue OWLPREP #19-30Sections of the APAP RubricPOD RubricAnnotated POD RubricEBSCO HostGale DatabasesJSTORGoogle Scholar, Research Flipgrid (sign up with your r2.d2@pcsb.org), CB’s Online Lessons

Pre-IB English 2: Quotation Weaving & Citation GuideProofreading ExpectationsTransitions ToolboxTone PacketLit TermsMLA Template, Turnitin.com (access with your ManageBac email), Vocab.com Signup (A1-2, B1-2, C1-2), Freshmen Flipgrid Signup (use your r2.d2@pcsb.org), Quizizz Links (A1-2, B1-2, C1-2)

AP Literature: 4th Quarter Poetry Packet, AP Classroom, MLA TemplateMajor Works Data SheetAtonement (Novel E-text), AP Lit Textbook (E-text), AP Lit Vocab.com Signup, AP Lit Flipgrid (sign up with your r2.d2@pcsb.org), Quizizz Links (A3-4, B6-7), CB’s Online Lessons